The Programme
Programme
CONFERENCE PROGRAMME (Final)
Cultural Intermediaries in the Nineteenth-Century Music Market
University of Bristol, June 23–24
Clifton Hill House
Day 1, June 23
Check-in 9:00–9:30
Opening Remarks 9:15–9:30
9:30 – 11:00
Session 1: Institutions
9:30–10:00
Classical Music as Business: The First Years of the Sociedad de Cuartetos de Madrid (1863-1866)
Teresa Cascudo (Universidad de La Rioja, Spain) and Carolina Queipo (Conservatorio Superior de Música de Navarra, Spain)
10:00–10:30
Music Published by, and for, Music Teachers: The Case of Juvenile Fairy Operetta in the Late Victorian and Edwardian Eras
Ross Purves (University College London, UK)
10:30–11:00
Louise Dyer: ISCM Networks and Transnational Aspirations
Kerry Murphy (University of Melbourne, Australia)
Coffee Break 11:00–11:30
Keynote Address
11:30–12:30
Professor Katharine Ellis, University of Cambridge, UK
When Gatekeepers Fail: Joseph Régnier and Church Music Reform In France, 1848–1860
Lunch 12:30 – 1:30
1:30 – 3:00
Session 2: Methodologies and Questions
1:30–2:00
The Role of Engravers in Nineteenth-Century Keyboard Music Transmission
David Rowland (The Open University, UK)
2:00–2:30
Modelling the Music Market: An Analysis of the Printing Records of Leipzig Publishers
Maximilian Rosenthal (Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy", Germany)
2:30–3:00
Resisting Economic Reductionism; or Why Publish Music?
Matthew Head (King's College London, UK)
Coffee Break 3:00 – 3:30
3:30 – 5:00
Session 3: European Markets and Cities I
3:30–4:00
The Music Market in a City in Southern Spain through Press Publicity (1833–1874)
M. Belén Vargas Liñán (Universidad de Granada, Spain)
4:00–4:30
Municipal Competition and Theatre Politics: the Case of Feltre’s Teatro Sociale in the Nineteenth Century
Giulia Brunello (Bern Academy of the Arts, Switzerland)
4:30–5:00
Known and Unknown Nineteenth Century: Ferenc Liszt in the Creative Landscapes of Ukraine
Olha Myronenko-Mikheishyna (Ukrainian National Tchaikovsky Academy of Music, Ukraine)
Wine Reception at Victoria Rooms 5:30 – 7:00
Dinner 7:30 TBA
Day 2, June 24
9:00 – 11:00
Session 4: Market and Mediation
9:00–9:30
Introductory and Emendatory Études: Conflicting Strategies in the Pedagogical Music Market
Gareth Cordery (Columbia University, US)
9:30–10:00
Performing the Folk: The Folk-Song Society and the Mediation of British Folksong
Grant Woods (Columbia University, US)
10:00–10:30
“The Dark Side of the Art of Music”: Contesting Pedagogical Reputation and Constructing Intrigue in Der Musikfeind and Der Sohn vom Ritter Gluck
Kristin Franseen (Concordia University, Canada)
10:30–11:00
Publicity, Morality, and Gender: Advertising the Parisian Lyric Stage, 1789–1918
Mark Everist (University of Southampton, UK)
Coffee Break 11:00 - 11:30
11:30 – 1:00
Session 5: Agents
11:30–12:00
The Development and Uses of W T Freemantle’s Subscription List for Spohr’s Twenty-fourth Psalm
Bryan White (University of Leeds, UK)
12:00–12:30
The Pragmatism of ‘Musical Progress’: Franz Brendel’s Cultural Authority in Context
Sean Reilly (Leipzig University, Germany)
11:30–12:00
"The Damned Score Thief" — Business Practices of the Music Dealer Carl Zulehner
Karl Traugott Goldbach (Spohr Museum, Germany)
Lunch 1:00 - 2:00
2:00 – 3:30
Session 6: Extra-European Markets and Cities
2:00–2:30
From Theft to Pyramid Schemes, to Missionaries in China: How Rev John Curwen’s Tonic Sol-fa Empire was Too Successful
Ellan A. Lincoln-Hyde (SOAS University of London, UK)
2:30–3:00
Impresario Bullies: Passion, Politics, and the Performing Arts in the Ottoman Empire
Özgecan Karadağlı (Bahçeşehir University Conservatory, Turkey)
3:00–3:30
Made in Latin America, Printed in Europe: The Complex Business of Music Editing across the Atlantic in the Mid-Nineteenth Century
José Manuel Izquierdo König (Pontificia Universidad Católica, Chile)
Coffee Break 3:30 - 4:00
4:00 – 5:00
Session 7: European Markets and Cities II
4:00–4:30
Commercial and Serious Music Thriving Side by Side: Restaurants, Cafés and Other Entertainment Venues as Channels for Different Musical Genres in Late 19th Century Stockholm
Anne Reese Willén (Uppsala University, Sweden)
4:30–5:00
Behind the Scenes at the Éditions de l’Oiseau-Lyre
Madeline Roycroft (University of Melbourne, Australia)
Concluding Remarks 5:00–5:15
End of Conference